The Rider: Art Imitates Life Imitating Art in Brilliant, Luminous New Drama
A Swingers Weekend: Biting Comedy Tackles Marriage, Sex and Beyond
Avengers: Infinity War Delivers On Marvel Franchise Promise and Then Some
By Karen Gordon
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ReviewMarvel, superheroes, Chris Hemsworth, Tom Hiddleston, Robert Downey, Jr, Thor, Ironman, Captain America, Black Panther
Pandas: Doc is Cute To Watch But Maddeningly Short on Details
Zama: Argentinian Director’s Fourth Feature Brilliantly Mines 'Anxious Stasis'
Super Troopers 2: As Silly As They Want To Be…
The Scent of Rain and Lightning: Slow-burn Thriller Strikes All the Right Notes
Eye on Juliet: Faux-Romance (Fauxmance?) Fails the Potential of Its Premise
I Feel Pretty: Coming-of-Age Comedy for Grown-ups Comes Up Short
Timon of Athens: Stratford's Take on Rarely Rendered Shakespeare Sharp But Meh
Indian Horse: Well-meaning but Clumsy Canadian Drama Scans as a PSA
Truth or Dare: Fourth time around, still not scary
Rampage: Rampant destruction apparently scripted by a gorilla
You Were Never Really Here: Disquieting Psychological Drama Earns its Cannes Stripes
Lean On Pete: Meandering, harrowing and not just another horse opera
Borg vs McEnroe: This just in, Borg secretly had a temper and McEnroe was a jerk
Blockers: Intriguing/Icky Premise Powers Madcap Comedy
The Miracle Season: Clichéd, Predictable… And Totally Worth Checking Out
A Quiet Place: The Heart-pound of Silence
ReviewJim SlotekHorror, Monsters, Silence, John Krasinski, Emily Blunt, Millicent Simmonds, post-apocalypse, The Office, Sound, Actors turned director
Final Portrait: Stanley Tucci's Homage to Giacometti Stops Short of Insight