Timely Tales of Paranoia: Soderbergh’s Deft Thriller, Kimi, Neeson’s Doleful Blacklight
Parallel Mothers: Pedro Almodóvar’s Latest Exalts Penélope Cruz, Ponders Post-Franco Spain
By Karen Gordon
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Death on the Nile: Branagh's Reverence to Agatha Christie is Like Well Played Parlour Music
I Want You Back: A Bent, Funny Valentine with Charlie Day and Jenny Slate
Compartment No. 6: Strangers Become Friends on A Train Ride To The Russian Arctic
The Worst Person in the World: Oscar Nom a Sparkling Study of an Impulsive Woman... Romantic and Otherwise
By Karen Gordon
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A Cops and Robbers Story: Doc Succeeds in Probing Cop Culture, Sags as Character Study
Rifkin's Festival: Woody Allen's Old-Man/Younger-Woman Shtick, With a Sweeter Grace Note
By Karen Gordon
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The Fabulous Filipino Brothers: Real Brothers Playing Brothers Amounts to Four Separate Sometimes-Crude Sitcoms
Poly Styrene: I Am A Cliché: A From-the-Heart Bio of the Godmother of Afropunk and Riot Grrrl
By Jennie Punter
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Scream: Not a reboot nor a sequel, but a 'requel' - clever, but too self aware to be scary
Aline: The Bizarre Celine Tribute Film that Flummoxed Cannes Hits English Canada
Therapy Dogs: A Brash Teen Anti-Yearbook Drama, Shot Undercover In Mississauga
The 355: We Liked This All-Star Women-Kick-Butt Thriller A Lot Better When It Was Called Widows
Come Clean: A Sincere But Too-Narrow Look At Addiction
The King’s Daughter: Louis XIV’s Daughter Mind-Melds with A Mermaid
A Hero: Savvy Iranian Film Demonstrates the Universality of 'No Good Deed Goes Unpunished'
Marionette: A Troubled Shrink and A Creepy Child In Wood-Paneled Scottish Thriller
Zeros and Ones: Ethan Hawke Dual-Role Thriller Promises Big, Delivers Small
The Jump: The Tale of a Lithuanian Boat Jumper is Cold War History Told Firsthand